National Endowment for the Arts  
Lifetime Honors
  National Endowment for the Arts Jazz Masters Fellowships  
 

2008 NEA Jazz Master

photo of Joe Wilder  

 

Joe Wilder
Solo Instrumentalist Trumpet

 

photo by Joseph R. Wilder

"To be chosen as a recipient of such a prestigious award at the behest of one's peers is extremely gratifying."

Joe Wilder was born in Colwyn, Pennsylvania in 1922 into a musical family led by his father Curtis, a bassist and bandleader in Philadelphia. Wilder's first performances took place on the radio program, "Parisian Tailor's Colored Kiddies of the Air." He and the other young musicians were backed up by such illustrious bands as Duke Ellington's and Louis Armstrong's that were also then playing at the Lincoln Theater. Wilder studied at the Mastbaum School of Music in Philadelphia But he turned to jazz when he felt that there was little future for an African American classical musician. Wilder joined his first touring big band, Les Hite's band, in 1941.

Wilder was one of the first thousand African Americans to serve in the Marines during World War II. He worked first in Special Weapons and eventually became Assistant Bandmaster at the headquarters' band. Following the war during the 1940 and early '50s, he played in the orchestras of Jimmie Lunceford, Herbie Fields, Sam Donahue, Lucky Millinder, Noble Sissle, Dizzy Gillespie, and finally with the Count Basie Orchestra.

From 1957 to 1974, Wilder did studio work for ABC-TV while building his reputation as a soloist with his albums for Savoy and Columbia. He was also a regular sideman with such musicians as NEA Jazz Masters Hank Jones, Gil Evans, and Benny Goodman. He became a favorite with vocalists and played for Billie Holiday, Lena Horne, Johnny Mathis, Harry Belafonte, Eileen Farrell, Tony Bennett, and many others.

Wilder returned to school in the 1960s, earning a bachelor's degree at the Manhattan School of Music where he was also principal trumpet with the school's symphony orchestra under conductor Jonel Perlea. At that time, he performed on several occasions with the New York Philharmonic under Andre Kostolanitz and Pierre Boulez.

He is the only surviving member of the Count Basie All-Star Orchestra that appeared in the classic 1959 film The Sound of Jazz.