National Endowment for the Arts  
Lifetime Honors
  NEA Jazz Masters
 

Photo by Tom Pich/tompich.com

2003 NEA Jazz Master

Jimmy Heath

Born Oct. 25, 1926 in Philadelphia, PA
Saxophonist, Flutist, Composer, Arranger, Educator

BIO INTERVIEW

"I am humbled to be included among the great musicians in our American history. I express my gratitude to these Jazz Giants, many of whom were close friends, who shaped this great American art form called Jazz and ultimately helped to shape my life as well. I thank the NEA committee for recognizing America’s Jazz Masters and the Art of Jazz itself and I am honored and privileged to be a part of this legacy."

The second of the illustrious Heath Brothers to receive an NEA Jazz Master Fellowship (bassist Percy received the award in 2002), Jimmy was the first Heath to choose music as a career path. Starting on alto saxophone (and acquiring the nickname "Little Bird" due to the influence Charlie "Yardbird" Parker had on his style), one of his first professional jobs came in 1945-46 in the Midwest territory band led by Nat Towles, out of Omaha, Nebraska. Returning to Philadelphia, he briefly led his own big band with a saxophone section that included John Coltrane and Benny Golson -- also products of the city's jazz scene. Gigs followed with Howard McGhee in 1948 and with Dizzy Gillespie's big band from 1949-50.

In the early 1950s, Heath switched to tenor sax, playing with Miles Davis in 1953 and then again briefly in 1959, among other gigs. In the 1960s, he began his own recordings as a leader, and frequently teamed up with Milt Jackson and Art Farmer. By that time he had honed his talent as a composer and arranger, creating such widely performed compositions as "Gingerbread Boy" and "C.T.A." By combining his versatile style of performing and his outstanding writing and arranging abilities, he has set a high standard of accomplishment in the jazz field. He has made more than 100 recordings and composed more than 100 original works.

As an educator, Heath has taught at Jazzmobile, Housatonic Community College, City College of New York, and Queens College, where he retired from fulltime teaching in 1998. He holds honorary degrees from Sojourner-Douglass College and the Juilliard School, and has a chair endowed in his name at Queens College. He continues to conduct workshops and clinics throughout the United States, Canada, and Europe.

Since the mid-1970s, Jimmy had been teaming up with brothers Percy and Albert "Tootie" as the Heath Brothers, a band which also at times included contributions from Jimmy's son, the noted percussionist, composer, and rhythm-and-blues producer, Mtume. In addition, he has performed with other jazz greats, such as Slide Hampton and Wynton Marsalis, and indulged in his continuing interest in the dynamics of arranging for big band. In 2010, his memoir, I Walked with Giants, was published. He remains active as an educator, saxophonist,and composer.

Selected Discography

Really Big!, Riverside/OJC, 1960
On the Trail, Riverside/OJC, 1964
Little Man, Big Band, Verve, 1992
Heath Brothers, Jazz Family, Concord, 1998
Turn Up the Heath, Planet Arts, 2006

 

Jazz Moments

On playing bebop in the South

On jazz vs. popular music

On the beauty of ballads

On music and personality

On big bands

On finding his own voice

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