| |
Pamela Hart (2013)
Author's Statement
My new work probes the seams of family, community, and the military, exploring this overlooked territory through oral histories, interviews, newspaper accounts, and personal experiences. I've been reading Sun Tzu and Clausewitz. I joined the Red Cross Military Families Support Group. Other investigations have ranged from attending performances of ancient Greek plays adapted for veterans and families to mentoring writers for the Afghan Women's Writing Project. A grant from the NEA will give me time and funding for travel, further research, and writing. Importantly, the grant gives me courage. A group of distinguished poets has endorsed my writing and my project. This is huge and affirming and humbling. I will honor the opportunity given by the NEA as I write. I thank you for the recognition.  
In the Red Cross Parking Lot After a Meeting on PTSD What about your son, Nancy Flannigan wonders, but really she wants to talk about her son Tom in Afghanistan who never got with the program six-two, on the swim team until he was kicked out of high school, has trouble with rules which is how she explains his wild streak, there's his hat on the dashboard Tom, she insists won't make a career of this Her hand brushes the dark as spotlights halo the white-domed rescue vehicles around us Next door someone shouts further off traffic glowers along the expressway. Nancy sends care packages, the good socks, how to get them on the cheap the rifle bolt she bought him it's expensive, doesn't jam or clog Tom's sergeant killed, will Tom get with the program, her words rocketing on and on in the night We're like the Spartan women how we send them off, the shields we compare and polish in the concrete firmament (with permission of O-Dark-Thirty, Journal of the Veterans Writing Project)  
National Endowment for the Arts · an independent federal agency
1100 Pennsylvania Avenue NW
Washington, DC 20506
|
|

Pamela Hart is writer-in-residence at the Katonah Museum of Art where she directs an arts in education program called Thinking Through Art: Young Writers & Artists. Her chapbook, The End of the Body, was published in 2006 by Toadlily Press. In 2010, she was named inaugural poetry fellow at the SUNY Purchase College Writers Center. She received an MFA in poetry from Sarah Lawrence College in 2004. Her poetry has been published in various print and online journals, including Lumina, The Cortland Review, BigCityLit.com, Rattapallax, the Cider Press Review, qarrtsiluni and others. In addition, she serves as a mentor for the Afghan Women's Writing Project. Photo by Steve Rago
What's this?
|
|