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Angie Estes (2007)
Author's Statement
I am deeply grateful to The National Endowment for the Arts for this fellowship, which will provide the opportunity for uninterrupted work towards completion of my fourth book of poems, a collection that explores language -- in its unspooling of sound, music, and etymology -- and the palimpsests and exchanges of experience that it both creates and manifests. Thanks to the NEA for providing the support and time -- to live, read, and write -- that make art possible.  
"Rendez-Vous" after Bernini She's the crème de la crème, la crème de God's coeur, pure as butter under the painted sky, and He, the light falling always from an unseen source, narrowing in gilded shafts to pierce her heart a second time: l'éclair éclairer, flash of lightning, pastry so light it's pâtisserie. No wonder St. Teresa's in ecstasy--is it architecture, sculpture in the round, relief? In my Father's house are many mansions, the many-chambered rose religieuse at Ladurée, which only proves Pascal was right--that faith in God is reasonable because revelation can be comprehended only by faith, which is justified by revelation. The icing of the religieuse flows like the folds of a nun's habit, her robes let loose like the word for peony, many-chambered world without end, each appoggiatura the opposite of apology--not amenable, without amends, no amen.  
National Endowment for the Arts · an independent federal agency
1100 Pennsylvania Avenue NW
Washington, DC 20506
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Angie Estes is the author of three books of poems, most recently Chez Nous. Her second book, Voice-Over, won the FIELD Poetry Prize and the Alice Fay di Castagnola Prize from the Poetry Society of America. Her first book, The Uses of Passion, received the Peregrine Smith Poetry Prize. She has received fellowships from the National Endowment for the Humanities, the Woodrow Wilson Foundation, the California Arts Council, and the Ohio Arts Council, and was awarded a 2005 Pushcart Prize. Photo courtesy of the author
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